CORDONS

Précarité des mamans solo en Wallonie et à Bruxelles
« Cordons » est un projet d’exposition qui va, sous forme de reportage, à la rencontre d’une multitude de mamans solo vivant durement la monoparentalité en Belgique francophone. Nous les avons rencontrées notamment chez elle, dans des maisons d’accueil ou au travers de projets collectifs qui leur sont proposés.
Le projet « Cordons » questionne ce qu’est la monoparentalité et la précarité aujourd’hui. Quelles en sont les formes, les causes et les conséquences. Nous avons essayé de comprendre comment et pourquoi les femmes se retrouvent majoritairement en première ligne de la précarité.
Nous avons choisi de donner le nom «Cordons» à ce projet en raison de sa double signification symbolique et des liens qu’il exprime.
Le cordon ombilical est relié au placenta, il a un rôle nutritif, joue la fonction de communication entre le placenta et la mère. Il permet d’apporter au fœtus l’oxygène, les nutriments et l’eau dont il a besoin. Il exprime avant tout le lien entre une mère et son enfant.
L’expression «tenir les cordons de la bourse» relie à la gestion de l’argent, le contrôle des finances, et représente certaines difficultés rencontrées par les femmes sur leur chemin de vie.
Autant de rôles essentiels que les mères en situation de monoparentalité précaire doivent tenir à bout de bras, dans des conditions difficiles.
Photos : Christophe Smets
Textes : Camille Wernaers
SAKIFE
Women, pillars of Eastern Congo

The women of the provinces of South and North Kivu, in the east of the Democratic Republic of Congo, are pillars. Pillars of their family, of their community, of a martyred region of a country where so few things stand upright. They give life, raise their children, manage the small and big worries of the household, work the land, carry out activities that generate income, study…

However, these pillars are weakened by the blows they receive, undermining their foundation and that of society.
In a context of abject poverty, the lack of social and socio-economic support condemns a majority of women in eastern Congo to remain permanently connected to the exhausting “survival” mode.
Dr. Denis Mukwege and other less broadcasted stakeholders have been sounding the alarm for two decades about the spread of the scourge of sexual violence, which Congolese and foreign armed groups use as a war weapon, and which is now spreading among the civilian population.
Beyond this terrible phenomenon, the women of the region are, as a whole, the first victims of the state of decay of Congo, which restricts their fundamental right to have access to quality health care.
Health centers are indeed insufficient in number and often difficult to access. They are under-equipped in terms of personnel, equipment and medication, as are many hospitals. Mental health remains a secondary concern, though the ills of the body and mind often go hand in hand.
The consequences of this situation are dramatic: because they are not treated in time, serious pathologies develop; the psychological state and the socio-economic situation of the women who suffer deteriorate, making them even more vulnerable.

Bogamanda Health Center,
2022
Women who are victims of sexual violence often suffer a double punishment and find themselves excluded from their community. Mediation is an important action process that allows for discussion and unblocking of certain family situations in order to put an end to the ostracism of which these women are victims.

Kalehe Hills,
2022
In the eastern part of the Democratic Republic of Congo, women who work in the fields earn an average of 1 USD per day. The inhabitants are all too aware of the precarious situation in which they live and are calling for changes that the instability of the region prevents from happening.

Kalehe Hills,
2022
South Kivu is rich in fertile land. Unfortunately, work in the fields is not only hard, but also poorly paid and dangerous. The women who work the land are under constant threat from
armed Congolese and foreign militias, and even from the regular Congolese army (FARDC), who are guilty of rape.

Muganzo, Kabare,
2022
On the road to the Muganzo health center, a woman carries the mukenzi, a wooden vat used to brew ripe bananas to produce the local kasiksi beer.

Muganzo Health Center, Kabare,
2022
The entrance to the Muganzo health centre is full on the days dedicated to pre-natal consultations.

Bogamanda Health Center, Kalehe,
2022
According to the UN agency OCHA, acute respiratory diseases are the second most common cause of death and the second most common disease in South Kivu, after malaria. Areas of high malaria prevalence are mainly areas of armed conflict and hosting of displaced people.

Muganzo Health Centre, Kabare,
2022
The nurse-midwife listens to the baby’s fetal heart during a pre-natal consultation. A new maternity ward that allows women to avoid “giving birth on the floor” has just been built in Muganzo. It was built by the villagers in collaboration with the NGO Memisa and the non-profit organization Action d’Espoir. The local community managed to raise USD 5,000 for the construction, which is a fortune for the inhabitants.

Muganzo Health Center, Kabare,
2022
Patient waiting for medical consultation. According to a study conducted by REACH in 2020, the health situation in South Kivu province is characterized by relatively good physical access to health facilities. In the majority (76%) of the locations assessed, it is reported that the majority of the population goes to a health facility (center, clinic, hospital, etc.) to obtain care.

Keshero Health Center, Goma,
2022
While physical therapy is widely available in many countries, it remains rare in the public health care system in the Democratic Republic of Congo. Yet, this type of rehabilitation is essential and contributes to people’s well-being. It is one of the services offered to the public at the Keshero urban medical center in Goma, at rates accessible to the greatest number. Hélène goes there three times a week with her three-year-old son Espoir, who has Down’s syndrome. “The goal is for him to be able to walk,” says Laetitia, the physiotherapist.

Bogamanda Health Center,
2022
An hour and a half’s drive from Bukavu, Mamas For Africa has set up a reception point and a medical procedure to identify women who need gynecological care delivered in the form of medication or those who need to be referred to the Panzi hospital for surgery.

Mubumbano General Reference Hospital,
2022
Deborah is a young general practitioner. She is observing a surgery in order to perfect her training, in the context of a project around surgical assistance organized by Médecins Sans Vacances/Artsen Zonder Vakanties.

Mubumbano General Reference Hospital,
2022
A woman waits for a C-section at the general reference hospital in Mubumbano.
In 2019, according to the World Bank, the nativity rate (children who are born alive) in DRC was amongst the highest in the world, with 5.82 children per woman.

Along the road towards Kavumu,
2022
Many women carry too heavy bags of charcoal, which are often their only source of revenue. A bag is worth around 16 USD. On a long-term basis, carrying such heavy loads can cause gynecological issues such as prolapse (slipping down of organs) due to the loosening or damaging of body structures (ligaments, pelvic muscles or connective tissue).

Mugeri Health Center, Katana,
2022
A psychologist from the Medico-psycho-social Support Center (Centre d’Appui Médico-Psycho-Social or CAMPS) takes care of Georgette, who is about to give birth. A bottle of water is handed to her to create trust. The psychosocial supported granted to her should enable her to give birth in good conditions despite her depressive state.

Bagira, Bukavu,
2022
Dalia* lives alone with her two children after having been abandoned by her husband. Thanks to material aid she was given during a family strengthening program managed by SOS Villages d’Enfants, she was able to develop her own economic activity. This has made it possible for her to offer her children school and necessary care.
* Alias name
ACKNOWLEDGEMENT
Maud Adam, Aline Bahati Cibambo, Emma Bangirahe, Vital Barholere, Adélaïde Blavier, Kathryn Brahy, Guy-Bernard Cadière, Marijke Ceyssens, Marie-Noël Cikuru, Martyne Cote, Caroline de Clercq, Véronique De Keyser, Cathleen de Kerchove, Christian Dengis, Clémence Denis, Isabelle Duvigneaud, Emilie de Liamchine, Anne Dechamps, Marie Devreux, Catherine Eeckhoudt, Rémi Fabbri, Julie Godfroid, Muriel Gonçalves, Jan Goossens, Stéphanie Grisard, Françoise Grolleau, Alexandra Guillot, Françoise Hocquet, Sophie Huguenet, Alexander Jacoby, Karlien Jolie, Guy Jungblut, Crispin Kashala, An Lavens, Hubert Leclercq, Ceara Legoff, Jan Leysen, Hervé Lisoir, Christophe Loyen, Yann Mai, Pilar Martinez, Olivier Matumaini, Alejandra Mejia, Nathalie Mignano, Sandrine Morreale, Romain Mukupi, Denis Mukwege, Herman Mukwege, Kabika Mukubwa, Caroline Nallet, Murhabazi Namegabe, Patrick Ndara Bakole, Robert Ndjangala, Delphine Noël, Sifa Ntamwenge, Sophie Omari, Blaise Ombeni, Léa Paccaud, Stéphanie Pécourt, Marc Pecsteen, Daniele Perissi, Lucie Plessis, Fabienne Richard, Michel Riche, Maud Salomé Ekila, Anna Salvati, Julie Simon, Valérie Vandersmissen, Olivier Vanderveeren, Henriette van Hofwegen, Lara Youssef.
Staff of associations and health services in Kivu, patients

SANGTERRA

Près de 200 défenseurs de la Terre sont assassinés chaque année pour avoir défendu leur terre et notre environnement, selon le rapport de l’ONG Global Witness. C’est à dire en moyenne 4 personnes chaque semaine. C’est 4 fois plus qu’il y a 10 ans.
Quelle est notre part de responsabilité en tant que consommateur et citoyen ?
Comment pouvons-nous agir ?
La Boîte à Images produit et réalise un projet multimédia ambitieux dans une douzaine de pays sur les défenseurs de la Terre en danger, via la création d’une vingtaine de capsules vidéo et une cinquantaine de portraits photos.
L’ensemble du projet est destiné à devenir un outil d’information et de sensibilisation au service de la société civile afin de mieux faire connaître la problématique.
Capsules Vidéo : Jean-Noël Lansival
Photos : Christophe Smets
MODERN TALES AND LEGENDS FROM ARDENNE

Once upon a time, in the heart of a forgotten valley,
lived a young woman in an abandoned forest —
with an imaginary monster…
A series of playful updates to our childhood imagination, inspired by our most beautiful walks through the deep and gentle Ardennes.
All wrapped in black-and-white imagery, meant to bring us back to the essentials: the magic of storytelling.
A brand-new, beautiful project — simply looking for a publisher. Nothing more…
INVISIBLES

La Boîte à Images a décidé de partir à la rencontre de personnes déficientes visuelles qui exercent un métier ou une activité parfois étonnants au regard du handicap dont ils/elles souffrent.
Au-delà de l’image de la personne déficiente visuelle avec une canne blanche, le projet s’attache à montrer des hommes et des femmes qui travaillent, s’activent et tentent de vivre le plus normalement possible malgré leur handicap.
Une guide de musée, un avocat, un magicien, tels sont quelques uns des profils rencontrés dans leur diversité de vie et d’autonomie.
Apporter un regard neuf, bienveillant et pertinent au service de ceux qui en ont besoin, tout en visant à enrichir le lien social par une meilleure compréhension des réalités de chacun.
Un projet en cours de réalisation, sous forme d’une expo itinérante et/ou d’un livre.
COAL IN MEMORY

Belgium, and Wallonia in particular, have been involved in coal mining since the Middle Ages. Even today, many tangible and intangible traces remain throughout the country. Since the mines closed, they have somewhat faded into oblivion, except for some Walloon coal mines being honored as UNESCO World Heritage sites.
The mine represents the depths, confinement, pain, darkness, and dust. It is also a father or grandfather who worked there for many years — to avoid poverty, feed their family, or avoid being taken to Germany as forced labor.
More than 30 years after the closure of the last coal mine, what remains of this heritage in Wallonia?
We set out to meet and listen to the memory of coal through the testimonies of former miners and the traces left by mining sites, paying a humble and united tribute — just like the mine itself.
At the same time, highlighting the architectural and heritage potential still present today, which can be sustainably rehabilitated.
Texts: Ricardo Cherenti
Photos: Frédéric Pauwels (Huma) and Christophe Smets
FEMALE GENITAL MUTILATION: “MY WAY OF SAYING NO”

Today, refusing female genital mutilation is still an act of courage.
The exciser who buries her knife, the mother who says no to her in-laws, the doctor who refuses to be complicit — each takes a risk by saying “no” to mutilation.
We met with women and men in Europe (Belgium, France, the United Kingdom) and Africa (Senegal, Djibouti, Guinea) to explore how, in their own way, they are standing up against FGM.
The result is a series of 32 portraits (texts and photographs), presented as a travelling exhibition designed to raise awareness among policymakers, healthcare and education professionals, and all citizens — about the many ways people resist these practices.
Texts: Marie Bryon & Céline Gautier
Photos: Christophe Smets
HAITI

A year and a half after the devastating earthquake that struck Haiti, Christophe Smets took the pulse of a nation rising to its feet, revealing the work of Haitian associations and the wealth of grassroots initiatives emerging from civil society.
A multitude of faces — men and women standing tall despite hardship.
Haiti is still healing, but it is also rolling up its sleeves.
Everywhere, people are laying the foundations for a better future.
Caught between hope and resignation, Haitians have always been — and remain — the main actors in shaping the future of their country.
A 25-photo exhibition initiated and presented by Entraide et Fraternité (entraide.be), with the support of Wallonie-Bruxelles International.
WOMEN AND POVERTY

Society advances at the pace of its weakest members.
In Brussels, the capital of Europe, 28% of the population lived at risk of poverty in 2010. Six years later, that figure rose to 31%. This is huge.
All studies confirm it: poverty primarily affects the most vulnerable — women, children, the elderly, and isolated individuals.
We wanted to meet women affected by poverty. We asked each of them what was dear to their hearts. What do they dream of? What still holds value when one lacks basic necessities? Children, memories of a parent, a pet, an object worth nothing but meaningful to the heart, an empty bag, a symbol. That is their luxury.
Thanks to Maria, Annick, Nathalie, Svetlana, Kaouthar, Dorothée, Philomène, Wendy, Ana Maria, Rachel, Habiba, Jessica, Patricia, Constance, Elisabeth, Fatiha, Ajsche, Widad, Mbayang, Louise, Christiane — so many shared moments around what truly matters.
A project presented as a travelling exhibition featuring about twenty diptychs accompanied by texts.
Texts: Céline Gautier
Photos: Christophe Smets
CHILDREN’S DESTINIES: THE WORK OF HOMEWORK SCHOOLS

La Boîte à Images chose to focus on the work of Homework Schools (Écoles de Devoirs) for a simple reason: the quality and importance of what they do deserves to be brought to light.
We visited over a hundred of these centers to photograph the lives and faces of the children — thousands of them — so that their existence can never again be denied or forgotten.
For nearly 40 years, Homework Schools have been offering, throughout Brussels and Wallonia, a playful and creative environment where children struggling with learning can acquire the skills needed to continue their educational journey.
A book and a travelling exhibition by La Boîte à Images,
in partnership with the Fédération Francophone des Écoles de Devoirs (ffedd.be)
Texts: Valérie Vandersmissen
Photos: Christophe Smets
CHRONICLES FROM NO JOBS LAND

Twelve individuals in search of employment.
Testimonies that challenge the negative image of the unemployed.
Are you, like us, surprised, concerned, outraged?
Surprised by the sweeping generalizations,
concerned by the spread of stereotypes,
outraged to see how all of this fuels suspicion, intolerance, and rejection toward those without work.
Folklore wallon : Entre évolution, tradition et transmission.

Patrimoine immatériel, traditions populaires, folklore, autant de termes qui définissent de multiples les manifestations qui témoignent le plus souvent d’une expression populaire et traditionnelle forte, ainsi que d’un enracinement profond dans la communauté. S’il fallait trouver un point commun à celles-ci, ce serait sans aucun doute l’implication, voire l’amour ou la dévotion que leur portent des communautés locales. Elles les entretiennent depuis parfois des siècles et pourtant, chaque année, elles semblent être vécues aussi intensément qu’au premier jour.
La diversité des activités folkloriques est telle que l’on pourrait y passer une vie à observer et documenter ce petit monde. Depuis 2007, sous le regard de Christophe Smets, La Boîte à Images documente la vie et l’évolution du folklore wallon, qui se renouvelle autant qu’il disparaît. Cela en partant à la rencontre des événements, des lieux et des gens, avec la mise en perspective de questions contemporaines comme l’inclusion, le recyclage, la préservation, le devoir de mémoire d’un monde qui change. Un regard qui se veut avant tout un témoignage tant décalé qu’ironique et bienveillant, avec la perspective de réaliser un travail de très longue haleine sur le patrimoine immatériel au XXIème siècle en Belgique francophone.
FROM HERE AND ELSEWHERE

By choosing to create a portrait and testimony project about “people from elsewhere who came here,” our aim was to offer a fresh perspective on the integration of immigrants in Belgium.
What must be done for our differences to be respected, while still allowing each person to preserve their deep identity?
How can we convey the value of exchange between peoples and global citizens?
These questions led us to engage in conversation with around forty people who came to live in Belgium — for love, to escape war or famine, or simply to find a better life.
So many enriching encounters, worth sharing, to reflect and try to understand one another.
40 portraits of immigrants living in Belgium.
A project presented as a travelling exhibition and a book (Couleur Livres Publishing).
Texts: Jeanouche Zafirenios
Photos: Frédéric Pauwels (Huma) and Christophe Smets
1940–45 : A FIGHT FOR FREEDOM

Portraits and testimonies of resistance fighters and deportees from the Second World War in Belgium.
Each witness shares the same message: “War is horrific — we must do everything we can to live in peace.”
The duty of remembrance is essential if we want to avoid reliving the demons of the past. As time passes, memories fade and the “elders” disappear. Before it is too late, we met with around fifty resistance fighters and deportees from the Second World War and collected their stories.
A project presented as a book and exhibition, in partnership with the Archives of Wallonia and the Museum of Photography in Charleroi.
Texts and photos: Christophe Smets
HANDICIRQUE

At the dawn of the 1990s, the Brussels Circus School created this innovative project that aims to use Circus Arts to support people with physical and/or mental disabilities — provided that this tool of expression and creativity contributes to the well-being and personal growth of the participant.
Every week, around a hundred children and adults join the school to practice circus techniques.
The challenge of our work is to offer open and varied situations that take into account each person’s abilities, never placing anyone in a position of failure. Helping them progress with pleasure and laughter, while fostering an atmosphere of trust that encourages respect.
We followed the project for a year to create a travelling exhibition and a book (Éditions Luc Pire).
Photos : Christophe Smets